editorial
The New York Times -Thai Coup d’état once again
This linoleum cut, commissioned by the New York Times’s Op-Ed, was published on September 26, 2006, to illustrate ” The Silk Revolution” by Ismail Wolff.
This linoleum cut, commissioned by the New York Times’s Op-Ed, was published on September 26, 2006, to illustrate ” The Silk Revolution” by Ismail Wolff.
Creation of a poster and a T-shirt design for Amidou & Toya, an original musical telling the story of young Francophone immigrants who recently arrived in the United States and have to deal with the challenges of youth, love and integration. Creating the original linoleum prints: drawing, cutting and printing Read more…
Suffren 32 : “Raymond Verdaguer : Le Silence du graveur “ par Pierre Baqué, Paris 30/03/2013. CR de la réunion du 26/03/2013 au Cercle Suffren. Suffren 32: “Raymond Verdaguer: The Silence of the engraver” by Pierre Baqué, Paris, 03/30/2013. Report of the meeting 03/26/2013, Circle Suffren. le pressoir, linoleum cut, Read more…
April 19 , 2013: commissioned and published linoleum cut illustration for the New York Times, Opinion page “The Jewish Hero History Forgot” by Marci Shore. “The only way out was the sewers,” as Edelman testified at Stroop’s 1951 trial. Edelman had led the last surviving ghetto fighters to freedom through water Read more…
Lettre de remerciment de monsieur Nicolas Bourriaud, directeur de L’Ecole Nationale Supérieure des beaux-arts de Paris au sujet de mon don a l’Ecole. Thank you letter of Mr. Nicolas Bourriaud, director of L’ Ecole Nationale Supérieure des beaux-arts of Paris regarding my donation to l’Ecole. [ ” l’Ecole ” = Read more…
invitation à l’exposition ENSBA exhibition invitation 18 mars – 5 avril 2013: presentée sur des frises de 2 mètres, une sélections de la donation de mes linogravures, salle Sratis Andreadis, lundi de 14h-19h, du mardi au vendredi 11h-19h March 18 – April 5, 2013: presented on panels of 2 meters, a selection from the Read more…
14, rue Bonaparte, 75006 Paris L’école nationale supérieure des Beaux-Arts de Paris. Rencontre, Raymond Verdaguer à l’invitation de Michel Salsmann … Graver en urgence dans la Grande Pomme . Le défi d’honorer la tradition de l’estampe au Nouveau Monde de l’éphémère. Conférence: le jeudi 21 mars 2013 à 15h Engraving Read more…
L’école nationale supérieure des Beaux-arts de Paris – “Gravure en urgence” – Presentation: projet d’ateliers de gravure . ENSBA Paris #505 Sur ma participation prévue au printemps 2013 en tant qu’artiste intervenant à l’école: conférence et ateliers. Mon intervention propose aux etudiants de présenter la gravure ou l’estampe telle que je Read more…
January 1st , 2013: commissioned and published linoleum cut illustration by the New York Times, Op-Ed. “The Emancipation of Abe Lincoln “ by Eric Foner “His annual message to Congress, on December 1, 1862, devoted a long passage to promoting gradual,compensated emancipation and colonization. Lincoln indicated, however, that a new approach was Read more…
? card project to thank all my 2012 supporting friends and colleagues.: do you believe in lucky numbers. ? It came to amazed me the day I found out that in America there was not such a thing as a high rise floor, an elevator stop or an hotel Read more…
” Predicting the Behavior of Civil Unrest: Social Instability Meets Science ” Paris Riot – ” Be French or Die Trying “-The New York Times – Op-Ed page – November 9, 2005 – Linoleum Cut:16.5″x9.5”- 41x24cm – Second publication November 7th 2012: ” … from nonviolent protest movements in Tunisia and Read more…
October 11th 2012: GlobKult Magazin presented as “Auf halbem Weg “, which stands for “On half way” – [ means the Euro crisis] in German. In this second publication the linoleum cut image is use not on its primary signification but rather in a alegoricaly way. Note: first presentation as “Tsunami “- Read more…
April 15th 2012: commissioned and published linoleum cut, illustrating six poems, by the New York Times Sunday Review, “ Tax time no accounting for poetry “. The image concept was created keeping in mind being able to work with [ or around] an already existing text layout to be later Read more…
Salut Mental How I have responded to commissioned sensitive issues. I don’t want to be so arrogant and pretend that my ‘speciality ‘ has become to respond to the visualization of the human struggle but I having being ‘label’ for being ‘So dark’, I believe it is Johnny Cash that Read more…