venerdi 5 settembre 2014: “Tradizione e cultura poplare riviste da Raymond Verdaguer”, giornale il Piccolo . “Mostra nel Museo ‘C’era una volta’ di piazza della Gambarina” Friday September 5, 2014: IL PICCOLO [newspaper of Alessandria Italy] : . ” Tradition & culture reviewed by Raymond Verdaguer “. Exhibtion in the Museum Read more…
Sabato 30 agosto 2014 – La Stampa, “Dal New York Times ai boschi di Casaleggio. In paese la mostra del grande vignettista americano Verdaguer”. di Daniele Prato 30/08/2014 ” Il vignettista del New York Times, Raymond Verdaguer ritrova nuova ispirazione tra i boschi di Casaleggio Boiro. È in paese ospite di amici: Read more…
La Stampa: Intervista del giornalista Daniele Prato. Daniele Prato giornalista della Stampa Domanda: “perché lasciare New York per la scelta e la vernice in un antico borgo in Piemonte?” Risposta che sarà pubblicato domani, 30 agosto 2014. An interview by Daniele Prato journalist at LA STAMPA news paper, Italy. Question: “why leaving New York to Read more…
This linoleum cut, commissioned by the New York Times’s Op-Ed, was published on September 26, 2006, to illustrate ” The Silk Revolution” by Ismail Wolff.
What is the actual risk for women traveling abroad compared to the perception?
In Ouargla, black gold is cursed – linocut > A Ouargla, el oro negro se maldijo – linograbado linogravure, 2eme publication, le 20 mars, 2014 dans Courrier International, Paris. > linocut, 2nd publication, Mars 20, 2014 by Courrier International, Paris > linograbado, segunda publicación, 20 de marzo 2014 en Courrier International, París. Read more…
6 février 2014 : “Le bizutage tue – les corps parfois, l’esprit toujours”, by José Pacheco Pereir, Publico, Portugal, publication Courrier International, numero 1214, le Paris. February 6, 2014 : “Hazing kills – the body sometimes, the mind always” José Pacheco Pereir, Publico, Portugal, published in Paris by Courrier International, Read more…
? The Los Angeles Times, Sunday November 24, 2013 reopening of an investigation into the 24-years-old murder of Aleta Browne ” – a none published created linoleum cut version, Paris 2013. ? ” Their affair began on a Spring day in 1985 when they checked into a Holiday Inn. Read more…
? illustration for the Queen’s University, Kingston,Ontario, Canada: ” A view at the end of life ” by Martin West to be publish in the Alumni Review, Summer 2013 . ” Watching the slow, inevitable decline in the health of an aging parent is never easy… as a society we need Read more…
Sunday May 05 , 2013: commissioned linoleum cut illustration for the Travel Section of the New York Times, on a personal journeys on Angola ” In a Dusty West African Town, a Dollar and a Meal ” by Paul Theroux ” Squeezing her rusty tongs again, the woman asked, “Qual?” (“Which one?”) Read more…
April 19 , 2013: commissioned and published linoleum cut illustration for the New York Times, Opinion page “The Jewish Hero History Forgot” by Marci Shore. “The only way out was the sewers,” as Edelman testified at Stroop’s 1951 trial. Edelman had led the last surviving ghetto fighters to freedom through water Read more…
invitation à l’exposition ENSBA exhibition invitation 18 mars – 5 avril 2013: presentée sur des frises de 2 mètres, une sélections de la donation de mes linogravures, salle Sratis Andreadis, lundi de 14h-19h, du mardi au vendredi 11h-19h March 18 – April 5, 2013: presented on panels of 2 meters, a selection from the Read more…
14, rue Bonaparte, 75006 Paris L’école nationale supérieure des Beaux-Arts de Paris. Rencontre, Raymond Verdaguer à l’invitation de Michel Salsmann … Graver en urgence dans la Grande Pomme . Le défi d’honorer la tradition de l’estampe au Nouveau Monde de l’éphémère. Conférence: le jeudi 21 mars 2013 à 15h Engraving Read more…
L’école nationale supérieure des Beaux-arts de Paris – “Gravure en urgence” – Presentation: projet d’ateliers de gravure . ENSBA Paris #505 Sur ma participation prévue au printemps 2013 en tant qu’artiste intervenant à l’école: conférence et ateliers. Mon intervention propose aux etudiants de présenter la gravure ou l’estampe telle que je Read more…