Sunday May 05 , 2013: commissioned linoleum cut illustration for the Travel Section of the New York Times, on a personal journeys on Angola ” In a Dusty West African Town, a Dollar and a Meal ” by Paul Theroux ” Squeezing her rusty tongs again, the woman asked, “Qual?” (“Which one?”) Read more…
April 19 , 2013: commissioned and published linoleum cut illustration for the New York Times, Opinion page “The Jewish Hero History Forgot” by Marci Shore. “The only way out was the sewers,” as Edelman testified at Stroop’s 1951 trial. Edelman had led the last surviving ghetto fighters to freedom through water Read more…
Lettre de remerciment de monsieur Nicolas Bourriaud, directeur de L’Ecole Nationale Supérieure des beaux-arts de Paris au sujet de mon don a l’Ecole. Thank you letter of Mr. Nicolas Bourriaud, director of L’ Ecole Nationale Supérieure des beaux-arts of Paris regarding my donation to l’Ecole. [ ” l’Ecole ” = Read more…
invitation à l’exposition ENSBA exhibition invitation 18 mars – 5 avril 2013: presentée sur des frises de 2 mètres, une sélections de la donation de mes linogravures, salle Sratis Andreadis, lundi de 14h-19h, du mardi au vendredi 11h-19h March 18 – April 5, 2013: presented on panels of 2 meters, a selection from the Read more…
14, rue Bonaparte, 75006 Paris L’école nationale supérieure des Beaux-Arts de Paris. Rencontre, Raymond Verdaguer à l’invitation de Michel Salsmann … Graver en urgence dans la Grande Pomme . Le défi d’honorer la tradition de l’estampe au Nouveau Monde de l’éphémère. Conférence: le jeudi 21 mars 2013 à 15h Engraving Read more…
January 1st , 2013: commissioned and published linoleum cut illustration by the New York Times, Op-Ed. “The Emancipation of Abe Lincoln “ by Eric Foner “His annual message to Congress, on December 1, 1862, devoted a long passage to promoting gradual,compensated emancipation and colonization. Lincoln indicated, however, that a new approach was Read more…
” Predicting the Behavior of Civil Unrest: Social Instability Meets Science ” Paris Riot – ” Be French or Die Trying “-The New York Times – Op-Ed page – November 9, 2005 – Linoleum Cut:16.5″x9.5”- 41x24cm – Second publication November 7th 2012: ” … from nonviolent protest movements in Tunisia and Read more…
Salut Mental How I have responded to commissioned sensitive issues. I don’t want to be so arrogant and pretend that my ‘speciality ‘ has become to respond to the visualization of the human struggle but I having being ‘label’ for being ‘So dark’, I believe it is Johnny Cash that Read more…
What can we define as being carved? And how to carve? – a slide show presentation at the Art Professor Steven Kennedy class […]
Op-Ed, Friday September 9 th – Illustration of a letter by Dr. Heather Ann Thompson. […]
I will elaborate on how my artwork has stubble into the sensitive topic of ‘ politics’ – Monday, October 25, 2010 – 5 p.m. to 7 p.m. – Commons Room (L-2028) main floor – The Queen Elizabeth II library – Memorial University of Newfoundland – St. John’s, NL, Canada […]
Reviewing my own work miles away from my studio and its primary intended public exposure – A collection of my original linoleum cuts commissions from The New York Times is presented until October 24th – an even organized since August 30, by the Burnaby Art Gallery in British Columbia, Canada. This exhibition is also being held, at the same time, at a second location as well at the McGill Library […]
A collection of my original linoleum cuts commissions from The New York Times is presented until October 24th – an even organized since August 30, by the Burnaby Art Gallery in British Columbia, Canada. This exhibition is also being held, at the same time, at a second location as well at The Bob Prittie Metrotown Library […]
