Sunday March 1, 2015: my lecture at New York Chinese Opera Society. Inc, New York. “MADE in CHINA LONG AGO – Woodblock Printing Revisited Now” . Contrasts & Textures Evens so we dream out of glassy and slick touched out screen instruments our world [natural or artificial] surrounding us is created by Read more…
French Heritage Language Program, New York – Poster Benoit le Dévédec, coordonnateur du programme en route pour livrer mes affiches en Floride et célébrer le 5 e anniversaire de L’Alliance culturelle haitienne et de la FHLP Miami. Benoit le Dévédec, coordinator of the Programon his way to deliver my posters Read more…
Estate 2014: In stile di vita – pitture, incisioni, mostre, laboratori e interviste. Summer 2014 as a style of live : paintings, engravings, exhibitions, workshops & interviews . This presentation covers all my artistic activities I was able to perform or to be part of during my 2 months I Read more…
Suffren 32 : “Raymond Verdaguer : Le Silence du graveur “ par Pierre Baqué, Paris 30/03/2013. CR de la réunion du 26/03/2013 au Cercle Suffren. Suffren 32: “Raymond Verdaguer: The Silence of the engraver” by Pierre Baqué, Paris, 03/30/2013. Report of the meeting 03/26/2013, Circle Suffren. le pressoir, linoleum cut, Read more…
Lettre de remerciment de monsieur Nicolas Bourriaud, directeur de L’Ecole Nationale Supérieure des beaux-arts de Paris au sujet de mon don a l’Ecole. Thank you letter of Mr. Nicolas Bourriaud, director of L’ Ecole Nationale Supérieure des beaux-arts of Paris regarding my donation to l’Ecole. [ ” l’Ecole ” = Read more…
invitation à l’exposition ENSBA exhibition invitation 18 mars – 5 avril 2013: presentée sur des frises de 2 mètres, une sélections de la donation de mes linogravures, salle Sratis Andreadis, lundi de 14h-19h, du mardi au vendredi 11h-19h March 18 – April 5, 2013: presented on panels of 2 meters, a selection from the Read more…
14, rue Bonaparte, 75006 Paris L’école nationale supérieure des Beaux-Arts de Paris. Rencontre, Raymond Verdaguer à l’invitation de Michel Salsmann … Graver en urgence dans la Grande Pomme . Le défi d’honorer la tradition de l’estampe au Nouveau Monde de l’éphémère. Conférence: le jeudi 21 mars 2013 à 15h Engraving Read more…
L’école nationale supérieure des Beaux-arts de Paris – “Gravure en urgence” – Presentation: projet d’ateliers de gravure . ENSBA Paris #505 Sur ma participation prévue au printemps 2013 en tant qu’artiste intervenant à l’école: conférence et ateliers. Mon intervention propose aux etudiants de présenter la gravure ou l’estampe telle que je Read more…
What can we define as being carved? And how to carve? – a slide show presentation at the Art Professor Steven Kennedy class […]
I will elaborate on how my artwork has stubble into the sensitive topic of ‘ politics’ – Monday, October 25, 2010 – 5 p.m. to 7 p.m. – Commons Room (L-2028) main floor – The Queen Elizabeth II library – Memorial University of Newfoundland – St. John’s, NL, Canada […]
Reviewing my own work miles away from my studio and its primary intended public exposure – A collection of my original linoleum cuts commissions from The New York Times is presented until October 24th – an even organized since August 30, by the Burnaby Art Gallery in British Columbia, Canada. This exhibition is also being held, at the same time, at a second location as well at the McGill Library […]
A collection of my original linoleum cuts commissions from The New York Times is presented until October 24th – an even organized since August 30, by the Burnaby Art Gallery in British Columbia, Canada. This exhibition is also being held, at the same time, at a second location as well at The Bob Prittie Metrotown Library […]
I will give a lecture October 7, at 7 p.m. – Oakridge Library, Vancouver, BC, Canada. {…}
A Plead for the Importance of Visual Awareness – Learning My Roots “Education”, you said the word, isn’t it the foundation of our growing? Confucius could certainly find better definition, certainly you have the true expertise to debate in ways it would not be possibly for me to consider. As Read more…