Sunday March 1, 2015: my lecture at New York Chinese Opera Society. Inc, New York. “MADE in CHINA LONG AGO – Woodblock Printing Revisited Now” . Contrasts & Textures Evens so we dream out of glassy and slick touched out screen instruments our world [natural or artificial] surrounding us is created by Read more…
Sunday March 1, 2015, 2:00 pm: Lecture Invitation, “Made in China Long Ago – Woodblock Printing Revisited Now”, by Raymond Verdaguer – artist & engraver – New York Chinese Opera Society. Inc, 120 Broadway, Suite 3650, New York, NY, 10271. invitación conferencia – Domingo, 01 de marzo 2015 a 14 h – “Checho en China hace mucho tiempo, Read more…
Jan 27, 2015 : Courrier International Paris publie : “Vivre sur les rives du plus grand fleuve du monde” – [ publishes “Living on the banks of the world’s largest river” – publica “Vivir a orillas del río más grande del mundo”.] “Se soigner, aller à l’école, rien n’est Read more…
6 février 2014 : “Le bizutage tue – les corps parfois, l’esprit toujours”, by José Pacheco Pereir, Publico, Portugal, publication Courrier International, numero 1214, le Paris. February 6, 2014 : “Hazing kills – the body sometimes, the mind always” José Pacheco Pereir, Publico, Portugal, published in Paris by Courrier International, Read more…
invitation à l’exposition ENSBA exhibition invitation 18 mars – 5 avril 2013: presentée sur des frises de 2 mètres, une sélections de la donation de mes linogravures, salle Sratis Andreadis, lundi de 14h-19h, du mardi au vendredi 11h-19h March 18 – April 5, 2013: presented on panels of 2 meters, a selection from the Read more…
14, rue Bonaparte, 75006 Paris L’école nationale supérieure des Beaux-Arts de Paris. Rencontre, Raymond Verdaguer à l’invitation de Michel Salsmann … Graver en urgence dans la Grande Pomme . Le défi d’honorer la tradition de l’estampe au Nouveau Monde de l’éphémère. Conférence: le jeudi 21 mars 2013 à 15h Engraving Read more…
Salut Mental How I have responded to commissioned sensitive issues. I don’t want to be so arrogant and pretend that my ‘speciality ‘ has become to respond to the visualization of the human struggle but I having being ‘label’ for being ‘So dark’, I believe it is Johnny Cash that Read more…
DonQ – with ‘Q ‘ as short cut for Quichote [?] – German author Ulrich Schodlbauer is dedicating me his story […]
I will elaborate on how my artwork has stubble into the sensitive topic of ‘ politics’ – Monday, October 25, 2010 – 5 p.m. to 7 p.m. – Commons Room (L-2028) main floor – The Queen Elizabeth II library – Memorial University of Newfoundland – St. John’s, NL, Canada […]
I will give a lecture, October 7, at 12:00 pm – Studio 103, the Shadbolt Centre for the Arts Burnaby, BC. {…}
To be published in Notre Dame Magazine early October, a series of black and white images to illustrate Father Joe Corpora’s observations from a remote and poor small village in Mexico […]
A Plead for the Importance of Visual Awareness – Learning My Roots “Education”, you said the word, isn’t it the foundation of our growing? Confucius could certainly find better definition, certainly you have the true expertise to debate in ways it would not be possibly for me to consider. As Read more…
A lecture given at Western Connecticut State University as part of it Master of Fine Arts Visual Arts Program.”Under Pressure” encompasses several meanings, is summering my art work execution and the work environment that commissions it as well. More broadly, in its manifestations life comes and goes with pressure….transformation, good or bad accrues from pressure.
My presentation aim to demonstrate how I have utilized the relief printing technique to create graphic images as a responds to news evens and writers’ opinions. This includes numerous visual examples such as some of my linoleum cuts assignments created for the Op-Ed section of The New York Times . The talk was followed by a critic of art student’s work […]
une histoire populaire du Tiers Monde – una historia popular del Tercer Mundo […]